French Resistance

Resources on the Aubracs

Aubrac, Lucie. Outwitting the Gestapo (University of Nebraska Press, 1994).

Lucie Aubrac (1912-2007), of Catholic and peasant background, was teaching history in a Lyon girls' school and newly married to Raymond, a Jewish engineer, when World War II broke out and divided France. The couple, living in the Vichy zone, soon joined the Resistance movement in opposition to the Nazis and their collaborators. Outwitting the Gestapo is Lucie's harrowing account of her participation in the Resistance: of the months when, though pregnant, she planned and took part in raids to free comrades—including her husband, under Nazi death sentence—from the prisons of Klaus Barbie, the infamous Butcher of Lyon. Her book is also the basis for the 1997 French movie, Lucie Aubrac, which was released in the United States in 1999.

 

Aubrac, Raymond and Lucie.  The French Reistance: 1940-1944 (Hazan, 1997).

This volume relies on the telling of the French Resistance movement though a presentation of over 100 pictures.  Includes posters, as well as propaganda papers.

 

Films

Lucie Aubrac (1997), Director: Claude Berri, Running time: 115 minutes.

Carole Bouquet stars as Lucie Aubrac, a heroine of the French resistance during World War II. Her husband Raymond (Daniel Auteuil) is a resistance fighter who helps sabotage Nazi trains. At a meeting, he and some compatriots are arrested, but believed to merely be black-marketeers. Lucie secures his release and enables them to fulfill their oath to spend every May 14 together, the anniversary of the first night they made love. The arrest of a resistance leader causes divisions; a meeting called to resolve them is raided, and Raymond is arrested again, along with an important resistance figure known as Max. Raymond endures brutal interrogations but is sentenced to death. With steely determination, Lucie plots to rescue him.

Lucie Aubrac is part thriller and part romance, but both halves are handled with a subdued discretion that doesn't prevent the movie from being deeply engaging. Meticulous and skillful, director Claude Berri paces his story carefully, paying attention to the details of life in occupied France. The fully developed atmosphere, never overstated, gives just the right frame to Lucie and Raymond's passionate marriage. Auteuil is solid, but it's Bouquet's film; her performance is as low-key as the movie, yet completely compelling and deeply affecting. Based on a true story.  (Bret Fetzer for Amazon)     

 

Controversary of the Aubracs

In 1945, once the war was over, she published a short history of the resistance - the first to appear - and then returned to teaching. In retirement, she saw it as her duty to ensure that the memory of the resistance lived on in the memories of younger generations of French men and women, and she would regularly visit schools to provide her own testimony as survivor and historian.

This is how Lucie's life might have ended had she and Raymond not been catapulted into controversy in 1983 after Barbie's extradition from Bolivia to stand trial in France. Before his trial, Barbie let it be known that he would reveal new facts about the resistance, including the claim that after his first arrest Raymond had turned informer and betrayed Moulin. The allegations never came to anything, but were troubling enough for Lucie to write her own memory of the affair (translated into English as Outwitting the Gestapo).

After Barbie's death in 1990, however, a document - the so-called Testament of Barbie - began circulating in newspaper offices and repeating the allegations about Aubrac. It was also at this point that Chauvy produced his book. Although distancing itself from Barbie's more extreme accusations, Chauvy's work was based on genuine archival material, and its overall effect was to cast a cloud of suspicion over the veracity of Lucie's account.

Twenty leading resistance survivors published a protest letter, but the Aubracs were deeply upset by the book, and asked to be given a chance to explain themselves before a panel of leading French historians. The newspaper Libération organised a discussion between the historians and the Aubracs.

But what had been intended by the Aubracs as a way of clearing their name turned into an acrimonious exchange in which they found themselves almost on trial. None of the historians accepted the idea that Raymond had been an informer, but they noted inconsistencies and contradictions in the various versions Lucie had given over the years. There were oddities in the case which have never been entirely elucidated: what were the exact circumstances of Raymond's first release from prison?; why was he the only resister arrested at Caluire not to have been moved to Paris (thus making it possible for Lucie to save him)?

The arrest of Moulin, in which the Aubracs were caught up, was the greatest drama of the resistance. And the Aubrac affair of the 1990s reminded people that, apart from the cases of betrayal that provide rich fodder for conspiracy theorists, the resistance was also plagued by internal conflicts of ideology and personalities. The fact that the Aubracs remained communist sympathisers long after the end of the war may have had something to do with the attacks on them.

In exasperation, at one point, Lucie protested that her memoirs - written 40 years after the events, when she was in her 70s - could not be expected to be accurate in every detail: she said she had been writing her story, not history. To which the historians present could only reply that their job was to write history, even if it meant unpicking the stories people wished to tell.

The tragedy of the situation was that Lucie, herself a historian and historical actor, was at the end of her life caught between the conflicting imperatives of historical truth and legendary memory. None of which detracts from the fact that, whatever happened in Lyon in the summer of 1943, she was a woman of great courage, character and energy, one of the last survivors of a generation that, between 1940 and 1945, helped to save the honour of France. Raymond and her three children survive her.

Source: The UK Guardian, Julian Jackson, March 16, 2007.

 

Lucie and Raymond Aubrac

    

Lucie Aubrac was a history teacher when she met Raymond, a Jewish engineer and army officer, in France in 1938. After France fell to the Nazis, the two joined the French Resistance, helping found the group Liberation-Sud. In 1943, Raymond, who was now an important leader in the Resistance, was captured by the Gestapo and scheduled for execution. A pregnant Lucie convinced the notorious Gestapo chief, Klaus Barbie, nicknamed the "Butcher of Lyons," to let her see Raymond and during the visit, she relayed an escape plan. As he was being driven back to his cell, Lucie and other Resistance members ambushed the truck, freeing Raymond and other Resistance fighters. The two escaped to London, returning to France after the War, with their three children. Although the War was over, they remained committed to justice and freedom, defending immigrants' rights, drawing attention to France's treatment of Algeria, and touring France to talk to students about the Resistance, which, Lucie argued, was not over:

Resistance is not just something locked away in the period 1939-45... Resistance is a way of life, an intellectual and emotional reaction to anything which threatens human liberty...The word 'resistance' should always be conjugated in the present tense.

 

Source: Take Part: Inspiration to Action: http://www.takepart.com/news/2008/02/17/valiant-valentines-3-a-love-for-each-other-freedom-the-nazis-could-not-defeat/

 

Rene Char--French

 

Rene Char
(1907-1988)

Born in the region of Provence, France in 1907, Char participated for a short time in the surrealist movement, and published with Breton and Eluard, Ralentir Travaux. He became involved with the Spanish Civil War, and in 1940 joined the French Resistance. His writing was deeply affected by the war, and provided him many themes. He was extremely moved by psychological, as well as human suffering. After the war he committed himself to reaching “a high degree of poetic strictness.” Towards the end of his life he became very involved with environmental issues, and became an ardent critic of the French nuclear energy project. He died in Paris in 1988.

 

The Violent Rose

Eye in a trance silent mirror
As I approach I depart
Buoy in the battlements

Head against head to forget all
Until the shoulder butts the heart
The violent Rose
Of ruined and transcendent lovers.